Once I realized that the little manuscript I penned regarding ASMR as it related to the occult realm was actually being digested by more readers by far than some of the grimoires I have edited over time, I decided that it was high time to improve its format (and, dare I say, primitive cover art) and add new material which I have amalgamated on the subject on my slow journey through occult literature.
It's not that the original work is wrong or lacks content- quite the opposite, it seems to have been remarkably well received, but since I released it I have made my way through several dozen new works, and that only includes those that I chose to release in editions. That doesn't even come close to the number of works on the occult and in the occult that I've read as research and for my own interest that are more recent or which I haven't edited yet.
I've already proofread and reformatted the work into a better condition- several new sections and a prelude to the second, edited version will be added, as well as perhaps a section of notes, possibly including a laundry list of occult works which have some relation to the topic of autonomous sensory meridian response. Since at least two new segments have to be added it will be somewhat longer than before, which I imagine will be welcomed by those who wanted a bit more meat on the bones to flesh the core idea out.
I have other updates coming down the pipeline also; I'll be releasing an edition of the famous Trinosophia among other things.
Showing posts with label pagan music. Show all posts
Showing posts with label pagan music. Show all posts
Thursday, May 19, 2016
Saturday, December 26, 2015
Principles of Sonic Occultism: Now Available!
The end of 2015 is swiftly approaching and now it's time to announce the final title for the year: "The Principles of Sonic Occultism: Sound as Magic". I'm glad to have finally completed this work, which I first announced back in spring and had already completed by early Autumn, shelving the final proofreading as I worked at editing a pair of works that couldn't wait.
Most occult works which are written in modernity focus either just on history and a secular treatment of magick, or they delve into do it yourself content and have an uncertain view to actual recorded history. With this work, as with its larger cousin "Fruits of Eden" I seek to solve this discrepancy in the occult literary realm. From the Muses of Greece to modern pop music, where is the genuine occult symbolism? How do we categorize the use of occult imagery and sound in mainstream culture? What are these based on? How are they used? How does this relate to society and politics? In this work I've explored all of these concepts and more, putting it all together in a manner which I hope is both user friendly and informative.
130 pages.
Contents
Introduction
p. 4-10
The
Basic Tenets of Sonic Magick p. 11-22
The
Ancient Basis of Sonic Magick p. 22-34
Music
as a Psychological Trigger p. 35-53
Music
and Mass Manipulation p. 54-61
Experimentation:
Emotion and Sound p. 62-73
Music
Evolving Over Time in Accordance with Evolutionary Principles p.
74-77
Source
or Conduit? p. 78-86
Self
Manipulation Versus External Manipulation: The Muse and the Berserker
p. 87-97
Speech
as Magick: Hitler and the Principles of Elocution and Charisma p.
98-109
The Harvest: Paranoid Predictions As a Beacon p. 110-119
The Harvest: Paranoid Predictions As a Beacon p. 110-119
Real
Versus Fake Occult Sonic Ritual p. 120-122
Conclusions,
and My Experimental Sonic Results p. 123-130
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