The Fairy Mythology of Shakespeare: Now Available!

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This short work is partially based on a lecture given by the author some time prior, which was then edited with a bibliographic appendix and some additional explanatory material.

It traces the history of the fairy in imagery from multiple sources to Shakespeare, drawing heavily (but not solely) on Grimm, pointing out the combination origin of Shakespeares' usage, being a fusion of lore from his own era, as well as material from up to some centuries prior. Both academic and interesting, and a must-read for the more spiritually minded theater fan.

31 pages.

Occultism in the Shakespeare Plays: Now Available!

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This quite short work is an excellent example of the type of Theosophical writing common in its era; a remarkably detailed study of some of Shakespeare's plays and the occultism and references to omens, witches, and so forth present therein; it labels "The Tempest" as the most outwardly occult (which I happen to agree with) and also speaks about "Julius Caesar", "Macbeth", and a few other works. It should be noted that the Baconian tradition of Shakespeare was also studied within Theosophy and the topic of theater is of note within the occult because of its lycanthropic importance; the concept of illusion and deliberate misrepresentation of reality.

37 pages.